{"id":5652,"date":"2009-09-24T12:55:31","date_gmt":"2009-09-24T09:55:31","guid":{"rendered":"http:\/\/revistacioburi.ro\/?p=5652"},"modified":"2009-09-24T12:55:31","modified_gmt":"2009-09-24T09:55:31","slug":"subiect-politist-adjectiv","status":"publish","type":"post","link":"https:\/\/revistacioburi.ro\/revistacioburi\/2009\/09\/subiect-politist-adjectiv\/","title":{"rendered":"Subiect, &quot;Poli\u0163ist, adjectiv&quot;"},"content":{"rendered":"<p style=\"text-align: justify; text-indent: 0.5in;\"><span style=\"font-family: Arial;\" lang=\"RO\">Cinematografia rom\u00e2neasc\u0103 este pe o pant\u0103 ascendent\u0103. Suntem \u00eenc\u0103 departe de a putea vorbi de o \u015fcoal\u0103 de film rom\u00e2neasc\u0103, dar ce putem afirma cu t\u0103rie este c\u0103 nona genera\u0163ia de tineri regizori a scos filmul rom\u00e2nesc de sub semnul anonimatului. De la regretatul Cristian Nemescu p\u00e2n\u0103 la Cristian Mungiu, Cristi Puiu sau Corneliu Porumboiu, noul val cinematografic est european, purt\u00e2nd pecetea rom\u00e2neasc\u0103, a atras dup\u0103 sine, \u00een marea lor parte, o suit\u0103 de critici pozitive. <\/span><\/p>\n<p style=\"text-align: justify; text-indent: 0.5in;\"><span style=\"font-family: Arial;\" lang=\"RO\">Ultimul film rom\u00e2nesc care a triumfat la Cannes a fost, a\u015fa cum se \u015ftie, <strong><em>Poli\u0163ist, adjectiv<\/em><\/strong>-ul lui Corneliu Porumboiu. Dup\u0103 scurt metraje precum <strong><em>Pe aripile vinului <\/em><\/strong>sau <strong><em>C\u0103l\u0103torie la ora\u015f<\/em><\/strong>, \u00een care regizorul \u00ee\u015fi etaleaz\u0103 latura comic\u0103, <strong><em>Visul lui Liviu<\/em><\/strong>, \u00een care acesta urm\u0103re\u015fte evolu\u0163ia unui t\u00e2n\u0103r prins \u00een perioada de tranzi\u0163ie post decembrist\u0103<\/span><span style=\"font-family: Arial;\">, <\/span><span style=\"font-family: Arial;\" lang=\"RO\">sau mult mai cunoscutul <strong><em>A fost sau n-a fost<\/em><\/strong><\/span><strong><em><span style=\"font-family: Arial;\">?<\/span><\/em><\/strong><span style=\"font-family: Arial;\" lang=\"RO\">, \u00een care Porumboiu atinge problematica revolu\u0163iei din <\/span><span style=\"font-family: Arial;\">\u2019<\/span><span style=\"font-family: Arial;\" lang=\"RO\">89 cu polemicile iscate \u00een jurul acesteia, <strong><em>Poli\u0163ist, adjectiv<\/em><\/strong> relev\u0103 o latur\u0103 cu totul nou\u0103 a regizorului rom\u00e2n.<\/span><span style=\"font-size: 10pt; font-family: Arial;\"> <\/span><\/p>\n<p style=\"text-align: justify; text-indent: 0.5in;\"><span  style=\"font-family: Arial;\" lang=\"RO\">Intriga filmului este una simpl\u0103 \u015fi\u00a0actual\u0103. Un t\u00e2n\u0103r poli\u0163ist de provincie se afl\u0103 \u00een postura de a lua o decizie \u00een cazul unui pu\u015fti, consumator de ha\u015fi\u015f, \u00een condi\u0163iile \u00een care intui\u0163ia \u015fi lipsa probelor \u00eel fac s\u0103 resping\u0103 ideea cum c\u0103 acesta s-ar ocupa \u015fi cu traficul de droguri. Refuzul t\u00e2n\u0103rului poli\u0163ist de a descinde \u015fi de a-l nenoroci pe pu\u015fti \u00een condi\u0163iile \u00een care acesta era dec\u00e2t un simplu consumator \u015fi ideea c\u0103 nefericitul \u00eei va bate obrazul c\u00e2nd se va \u00eent\u00e2lni cu el pe strad\u0103, dup\u0103 c\u00e2\u0163iva ani, atunci c\u00e2nd legea\u00a0va avea s\u0103 fie deja schimbat\u0103, st\u00e2rnesc nemul\u0163umirea \u015fefului care nu \u00een\u0163elege de ce se cantoneaz\u0103 at\u00e2t de mult \u00eentr-un caz at\u00e2t de banal. M\u00e2nat de o con\u015ftiin\u0163\u0103 ce se va dovedi \u00eentr-un final de prisos, proasp\u0103tul om al legii se vede nevoit s\u0103 am\u00e2ne p\u00e2n\u0103 la limit\u0103 \u00eentrevederea cu \u015feful s\u0103u, pentru a putea urm\u0103ri diverse piste, \u00een ideea c\u0103 va reu\u015fi s\u0103 nu-l \u00eenfunde pe pu\u015fti.\u00a0Lec\u0163ia de maieutic\u0103 \u0163inut\u0103 de \u015feful s\u0103u, un poli\u0163ist versat care aplic\u0103 legea \u00een litera ei, fie c\u0103 aceasta e moral\u0103 sau nu, \u00eel g\u0103se\u015fte pe t\u00e2n\u0103rul \u00een\u0163epat de ghimpii con\u015ftiin\u0163ei nevoit s\u0103 aleag\u0103 \u00eentre convingerea sa \u015fi slujba de poli\u0163ist. <\/span><\/p>\n<p style=\"text-align: justify; text-indent: 0.5in;\"><span style=\"font-family: Arial;\" lang=\"RO\">Filmul scoate \u00een eviden\u0163\u0103\u00a0at\u00e2t rigiditatea unui sistem poli\u0163ienesc dep\u0103\u015fit \u00een fa\u0163a unor probleme, ca cea a consumului de droguri, problem\u0103 ce\u00a0a \u00eenceput s\u0103\u00a0capete amploare \u00een societatea rom\u00e2neasc\u0103\u00a0imediat dup\u0103 revolu\u0163ie,\u00a0c\u00e2t \u015fi facilitatea cu care oamenii legii le privesc \u015fi le trateaz\u0103. Toamna t\u00e2rzie, str\u0103zile pustii, birourile \u015fi holurile roase de vreme din incinta sec\u0163iei de poli\u0163ie, sc\u0103rile jegoase de bloc sau apartamentul \u00eenghesuit al eroului nostru, proasp\u0103t c\u0103s\u0103torit, contribuie \u00een egal\u0103 m\u0103sur\u0103 la crearea unui peisaj dezolant care te apas\u0103 pe toat\u0103 durata celor dou\u0103 ore ale peliculei. Cele c\u00e2teva momentele comice pres\u0103rate nu fac dec\u00e2t s\u0103 \u00eengroa\u015fe tu\u015fa tragic\u0103 a acestei banale pove\u015fti de provincie.<\/span><\/p>\n<p style=\"text-align: justify; text-indent: 0.5in;\"><span style=\"font-family: Arial;\" lang=\"RO\">Lipsa muzicii de pe fundal, cadrele apropiate cu rapoartele scrise de m\u00e2n\u0103, insisten\u0163a dus\u0103 la limit\u0103 asupra cadrelor de filaj sunt doar c\u00e2teva din elementele neconven\u0163ionale de care face uz regizorul rom\u00e2n \u015fi care fac din <strong><em>Poli\u0163ist, adjectiv<\/em><\/strong>, al\u0103turi de ritmul sc\u0103zut al ac\u0163iunii \u015fi monotonia specific\u0103 ora\u015fului de provincie, un film nerecomandat cinefililor ne\u00eenzestra\u0163i cu\u00a0sim\u0163ul r\u0103bd\u0103rii sau iubitori de efecte speciale. Nu de alta, dar exist\u0103 un pericol sporit de plictiseal\u0103.<\/span><\/p>\n<p style=\"text-indent: 0.5in; text-align: justify;\"><span style=\"font-family: Arial; font-size: small;\"><span style=\"font-size: 12pt; font-family: Arial;\" lang=\"RO\"><br \/>\n<\/span><\/span><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"425\" height=\"344\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/IDIy4A9yeY0&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"344\" src=\"http:\/\/www.youtube.com\/v\/IDIy4A9yeY0&amp;hl=en&amp;fs=1&amp;\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinematografia rom\u00e2neasc\u0103 este pe o pant\u0103 ascendent\u0103. Suntem \u00eenc\u0103 departe de a putea vorbi de o \u015fcoal\u0103 de film rom\u00e2neasc\u0103, dar ce putem afirma cu t\u0103rie este c\u0103 nona genera\u0163ia de tineri regizori a scos &hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[89,103],"tags":[910,951,1338,2574,2584],"class_list":["post-5652","post","type-post","status-publish","format-standard","hentry","category-cronici-de-film-si-teatru","category-promo","tag-corneliu-porumboiu","tag-cronica","tag-film","tag-politia","tag-politist-adjectiv"],"_links":{"self":[{"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/posts\/5652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/comments?post=5652"}],"version-history":[{"count":0,"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/posts\/5652\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/media?parent=5652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/categories?post=5652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacioburi.ro\/revistacioburi\/wp-json\/wp\/v2\/tags?post=5652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}